The Arabian Nights
I finished The Arabian Nights earlier tonight. Despite promises of 1,001 such nights, there were but 271 in the translation I read. I am talking with my lawyer about a possible class-action lawsuit on behalf of misled readers.
It is my ignorance in the face of books like this that reminds me how little of the canon I’ve read. I’ve only read a small bit of Shakespeare, and only read The Iliad in 2002 or so; I’ve still not gotten to The Odyssey, even though I’ve owned a beautiful hardcover edition of the Fagles translation since shortly after I visited Adam Rosi-Kessel at Princeton and sat in on Fagles’s translation class. So I’ve probably had the damn thing for 12 or 13 years; I should read it already.
Anyway, somehow I didn’t really know the story of The Arabian Nights until recently — at least not with enough clarity that someone could have pointed a gun at me and asked me what it was about, and I could have answered confidently. The premise is quite simple: a king (Shahrayar) discovers that his wife is cheating on him, develops a deep hatred of women, and decides to marry a new woman from his kingdom every night — then kill her in the morning. Eventually a brilliant woman from the kingdom (Scheherazade, or Shahrazad in this translation) decides that she can save the rest of the women by using her wits against the king. She’ll tell him a story so captivating that he will refuse to kill her until he hears the end of it. She proceeds to tell him stories, and every night he agrees to keep her alive for one more night. Eventually, goes the tradition, she bears him three children, he forgives women because of Shahrazad’s greatness, and they live happily ever after.
Pretty bloody cool premise, I’d say. In the hands of postmodern authors, this would be turned into a lecture on the craft of storytelling generally, and there may be good reason to do that. Indeed, throughout the first 100 pages or so of The Arabian Nights, I thought I was reading Calvino’s If on a winter’s night a traveler, which is not only a sequence of brilliant and agonizingly unfinished stories, but also a celebration of the act of reading. The stories in winter’s night fold in on themselves, blend together, peek out into the real world, and eventually reveal their hand to the reader in a particularly wonderful sendoff.
The Arabian Nights is rather less interesting. I can’t really fault it for lacking the structure of a postmodern novel (even though the stories do nest, and quite often they don’t unwind the stack). I just didn’t find it especially interesting once I got past the novelty of the premise and the structure. It’s a long sequence of identical stories about beautiful men, kings, and sometimes long sequences of misunderstandings and sorcery that eventually lead to someone getting a girl back. In schematic form, that’s the recipe for maybe 80% of Western literature, so I shouldn’t complain. It’s just that the actual contents of these stories don’t vary much. In every story there is a beautiful girl from whose beauty “even the deers learn”. There is a beautiful boy who’s “more graceful than a bough.” He also has a perfect little disc of ambergris on his face somewhere. There’s always a king and a vizier. There’s normally some kind of travel between Egypt, Baghdad, and Basra. And so on. It gets tiring. I’m much more excited about Conversations with Neil’s Brain, which is my next book and which I’ve already started.
To make any of the works in the canon interesting, I think I have no choice but to read commentaries on them. Maybe Harold Bloom is a good guy to consult on such things; he seems to have spent much time telling Americans what they should read, why they should read those works, and what relevance they have to people in their daily lives. Reading these works on their own, I miss everything about what made them great to the people who read them at the time. Really what I need is some way to put myself back in the shoes of the people who heard The Arabian Nights. If anyone can suggest good works in that direction, I’m all ears.