(Attention conservation notice: 1100 words on Saul Bellow’s final novel, which was a meditation on philosophers, writers, and how to bridge the divide between their respective takes on the world. At the same time, it’s a beautiful story about two close friends. It’s in the pantheon of great Bellow novels.)
Ravelstein is a few things at once. It is Saul Bellow’s sweet farewell
to his longtime friend Allan Bloom, and would be worth reading for that aspect alone; I’ve never read such a loving ode to a friend, nor such an erudite ode to the virtues of friendship itself. It is a continuing exploration of some
of the ideas about modern life from Bellow’s earlier books. It may well
be a look, à la Philip Roth, at the boundary between the
artist and his narrator, though I’m not sure, and it’s not at all clear that
it matters here as much as it matters in a Roth novel.
Ravelstein’s namesake, Abe Ravelstein, is a very thinly veiled Allan Bloom. He’s just written a very
important, very popular book (a thinly veiled Closing of the American Mind) that has made him wealthy beyond his wildest dreams. Ravelstein is a disciple of a certain Felix Davarr, who’s a thinly veiled Leo Strauss
(Leo for lion, Felix for cat; not sure about Strauss and Davarr). In fact the thin veiling of everything
in this book may well be a hat tip to Strauss, who argued that the true meaning of many philosophical texts
is hidden in plain sight, and that only initiates to the true way of reading the text could ever
hope to piece it together.
In at least a couple books — Herzog and Mr. Sammler's Planet — Bellow has given us
a sad but ultimately redemptive picture of the United States: modern life is confused, people define
themselves by their possessions, and we’re flooded with a million contradictory ideas that bring us
no real understanding of the world. (The structure of society is given by the structure of production!
No wait: society’s problems are caused by sexual repression! No wait: society’s problems will be fixed
when unfettered capitalism allows individual talents to bloom! No wait…!) We’re rootless consumers of
ideas. After a lifetime as a professor of philosophy, Moses Herzog’s life falls apart, and the best he
can do to put some ground beneath his feet is to send letter upon letter to philosophers, living or dead.
The irony of Herzog’s life is that his studies of philosophy, which were supposed to bring some order
to the world, have not helped him at all when push came to shove.
Allan Bloom and Saul Bellow agree on this. Indeed, Bellow wrote the introduction to at least
one edition of The Closing of the American Mind.
Bloom’s critique of the university basically ran as follows:
the university should be a monastery in which those rare souls capable of understanding true philosophy
lived among their brethren. Since World War II at least, the American university has moved away from that
priesthood; it has brought all the problems and confusion of the outer world within its walls. Where the outer
world has given up trying to find any order in things, so the university has replaced thought with technology.
Where the outer world venerates consumerism, so the university has invented the “business degree.” And
so forth.
This can sound curmudgeonly rather than scholarly, and indeed that’s how The Closing of the American Mind
sounded to me when I read it a few years back. With a few more books under my belt since then, Bloom sounds like
Ruskin without the poetry.
Having finished Ravelstein, though, I think I may need to go reread Bloom. Abe Ravelstein may not have
experienced a dark day in his life. When he watches the world, he doesn’t see confusion; he sees the underlying
order. When Ravelstein watches the narrator fall in love with one of Ravelstein’s students (again, a thin veiling
of Bellow’s own life, in which his fifth wife [!] was a Bloom devotée), he sees it through
Plato’s Symposium. Ravelstein’s life is one of pure joy and deep, continuous thought. His relationship
with the narrator is one of constant, unflinching honesty. He lives the life of the philosopher.
Ravelstein spends most of the book living the life of the philosopher from a hospital bed. He is dying of AIDS.
He urges the narrator to write a biography of him; this book is that biography, tinged with Bellow’s own
thoughts on sex and death, and thick with notes on the difficulty of writing about such a brilliant man.
Both Bellow and Philip Roth have emphasized that the role of the writer is opposite to that of the
philosopher or the political leader. The philosopher and the ideologue deal in abstractions; they
cannot focus on the details. The novelist lives for the details; that’s what the novel is. In
Bellow’s Nobel lecture,
he talks about the novelist’s role in combating the modern malaise: we’re swallowed up by massive
institutions, and we’ve become little more than numbers in a larger system. Some would say that this requires
us to rethink who we are, and in particular abandon the novel:
there are no characters anymore, they’d say, only statistical markers on a hard drive somewhere. How can the novel survive, they say, if it’s based on an outmoded view of the world we live in?
Bellow insists to the contrary that if we’re going to save ourselves from the modern world, we have to
do so by honoring those details more, by respecting characters more. Bellow’s own novels are
testaments to that principle: amidst the whirlwind of modern urban life, his characters cannot escape the
souls that they came in with. The characters of his characters will reveal themselves no matter what.
That’s why Ravelstein is such an interesting book, and Abe Ravelstein himself is such an interesting
character. The book is a touching biography of Ravelstein, but it’s more about the friendship between Bellow and
Bloom. It’s about the constant tension between the demands of the writer and those of the philosopher, and how
those demands can exist peacefully side by side in the friendship of these two brilliant men. I think the message
is that philosophy and the grubby details of existence must be kept in their proper balance. (I feel obliged here to
quote from Doctor Zhivago : “I don’t like purely philosophical works. I think a little philosophy should added to life
and art by way of seasoning, but to make it one’s specialty seems to me as strange as eating nothing but horseradish.”)
I found Ravelstein really touching. Bellow obviously loved Bloom dearly, and missed him a great deal
after he’d parted. The last sentence in the book is “You don’t easily give up a creature like Ravelstein to death.”
I feel the same way about Bellow.
P.S.: Copies of Ravelstein are available used on Amazon for a couple pennies. With shipping, I bought a paperback used copy the other day for $4.02. At that price, there’s really no reason not to buy it.